Art taught me how ideas take form
Before generative AI, I worked with data, rules, and identity as creative material — from D3M, my early glitch art on the web, to The Game of Go, where game data became a physical object.
I'm Nik McFly — Moscow-born, Almaty-based. I have been building products, communities, and cultural experiments on the internet since 2000. Today, music is at the center of my work: I co-founded ManifestMusic.Studio with Bally Sol, write songs, and share what we learn.

Before generative AI, I worked with data, rules, and identity as creative material — from D3M, my early glitch art on the web, to The Game of Go, where game data became a physical object.
Some people collect objects. I collect meme products: more than 1,000 internet products, interfaces, campaigns, jokes, and cultural objects. I wanted to understand why some ideas spread while others disappear.
Communities connect most of what I built: Bitcoined — to my knowledge, the first Bitcoin community on Facebook — in 2011; CreativeRussia with 5,000 creatives; McFly.Aero with more than 100,000 people interested in flying taxis; a 24/7 Clubhouse room; and the Eurasian AI Association. Together, the communities I built reached a combined audience of more than one million people.
RareNik became 10,000 NFT characters, all of them me. The first version was ready, but we kept adding character photos, a reality-vlog series, fictional products, lore, and launch mechanics. By the time everything was ready, the market was gone.
That failure taught me to ship the useful version before building the whole universe around it.
I ran Hybrain, an AI agency that worked with 24 businesses across 33 countries, trained more than 1,500 people, and shipped 25+ AI integrations.
I also co-founded a project that began as an AI meme and grew to 6.3K+ GitHub stars, more than a million views, and seed funding. Attention came first. The product followed.

Before Suno, I was a music fan and curator. Years of listening, comparing, and saving music shaped my taste. New tools gave me a way to take part in making it.
Bally Sol and I co-founded ManifestMusic.Studio. Bally wanted beautifully produced songs about the love and family she hoped to welcome into her life. Together, we turned that idea into a music project.
We write songs about confidence, love, and letting go. We write lyrics, explore musical versions with AI, and develop the ones that connect with us. Bally also creates the images, videos, and stories around the music; I write songs and run the studio.
Our catalog spans 80+ releases. Alongside the creative work, I handle the practical decisions that help us keep releasing: artist positioning, distribution, metadata, and catalog economics. I draw on that experience in my guides, workshops, and consulting.
I research how systems work and turn what I find into practical books and guides. The Anti-AI Brain explores how to keep your own judgment while working with AI. My other books cover prediction markets, publishing, patents, and online discovery.
AIrathon 2024 in Almaty, an AI analytics program for the Senate of Kazakhstan, a workshop for 50 journalists at MNU, Kazakhtelecom Growth Forum, Eurasian Mobile Summit, and more than ten other events.
I play Go, have been to 33 countries, and have a tattoo on my tooth. I also stoically survived losing 80 Bitcoin — the password just doesn't work. According to our family history, my grandfather was a Soviet intelligence officer and a link between Khrushchev and Kennedy during the Cuban Missile Crisis.
Tell me about your music project, programme, or product and the people it is for. I can help with creative direction, release planning, or the practical work of bringing an idea to life.